This fall has been great for knitting hats. First Woolly Wormhead’s pattern collection Classic Woolly Toppers came out, then the Finnish hat book Pipo on Pääasia, and, finally, Vogue Knitting The Ultimate Hat Book was published in November. Interweave’s hat book Weekend Hats is still on the shelves, too.
Classic Woolly Toppers is the smallest collection with 10 patterns. The Vogue book is at the other end of the spectrum with 50 patterns. Weekend Hats and Pipo on pääasia hold the middle ground with 20-something patterns.
I have already written a review on Weekend Hats, which you can find here. But what about the others?
Classic Woolly Toppers is part of a series, in a way: the previous ones have focused on sideways construction, kids’ hats and cables. CWT has mostly knit-and-purl patterns but offers many hat styles, from newsboy cap to cloche.
Woolly Wormhead’s collection is self-published and available both as an ebook and a printed version. I do sometimes feel that she is overly fond of purling, but her patterns always include multiple sizes and are constructed in a knitter-friendly way. The pictures show the hats well and in this particular collection some hats are shown on more than one model.
Pipo on pääasia is a collaboration of four designers who have previously contributed to the Finnish online magazine Ulla. The book includes a wide variety of hat styles in many weights and has a highly useful technique section as well. The pictures triumph over those in the Vogue Knitting in every way: they are clear and beautiful yet keep the hats as the main thing.
My biggest peeve is of course again the lack of sizes. However, each pattern does also tell you the model’s head circumference, which helps me when I’m deciding how many modifications I need.
Vogue Knitting: The Ultimate Hat Book is divided into 5 sections: basic shapes, cables, lace, colour and embellishments. Out of the 50 patterns maybe 20 have been previously published in the Vogue Knitting magazine. The designers range from the famous (Norah Gaughan, Deborah Newton) to never-heard-of.
Again, most patterns are written for one size only. This does not surprise at this point -what is far more puzzling is the lack of charts in some patterns that I think could have benefited from them. There are also huge pictures of many of the hats, but that does not guarantee that any of them shows the crown (I strongly dislike sloppy decreases, and lack of pictures always makes me suspicious). Yet I can’t say I regret buying the book: with 50 patterns, the price per pattern is very small, even if I knit only some of them. I also often find the fashion-conscious pictures very inspiring, if not always that useful.